The work consists of incredibly thin, ballistics-grade transparent plastic. As in much of Hiorns’s work, the sculptures become material expressions of anxiety, as the cold rationality of industrial production is held in uneasy balance with the unpredictability of natural processes.

British sculptor Roger Hiorns makes objects that explore transformation, both material and perceptual. Using divergent and often esoteric found materials—jet and automobile engines, plastinated cow brains, perfume, thistles—Hiorns collides the natural and man-made. His work often engages a variety of organic and chemical processes such as treating objects with substances like amyl nitrate, steroids, or salt, and past works have incorporated such elements as foam and fire.