Annet Gelink Gallery
Skip to main content
Cart
0 items £
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu

Artworks

Jacqueline Bebb, How Much I Fancied Her 1995-2001, 2012

Jacqueline Bebb

How Much I Fancied Her 1995-2001, 2012
7 individually framed colour photographs
Each h:17.8 x w:22.9cm (inclusive of 3.8cm border on all sides)
2/3 + 1AP
Copyright The Artist
Enquire
%3Cdiv%20class%3D%22artist%22%3EJacqueline%20Bebb%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EHow%20Much%20I%20Fancied%20Her%201995-2001%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2012%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3E7%20individually%20framed%20colour%20photographs%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EEach%20h%3A17.8%20x%20w%3A22.9cm%20%28inclusive%20of%203.8cm%20border%20on%20all%20sides%29%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3E2/3%20%2B%201AP%3C/div%3E
Photographs of three, identical, wooden pie charts that have been hand made to the specifications of a drawing made and used by the artist to illustrate an argument with her...
Read more
Photographs of three, identical, wooden pie charts that have been hand made to the specifications of a drawing made and used by the artist to illustrate an argument with her best mate (BM). They consist of seven wedges, 120mm x 35mm of varying degrees, in seven woods. Each segment represents a year between 1995 and 2001, with the varying angles denoting the level of affection assigned to that year.
The seven segments of the first pie have been separated and gifted to public houses in Chester with the understanding that they will be used as doorstops. The public houses were chosen based on the frequency that the artist visited them in her youth and served as a location for many of the stories associated with the argument. This intervention has been documented as a series of seven framed photographs of the doorstops in situ. The second pie is presented as a sculptural composition and is assembled in a formation that sits somewhere between being a pie chart and a set of building blocks. The third pie chart has been gifted to BM as a testament to their long-standing friendship and was given with the dedication: BM, I did wrong you once and I am sorry. No further public documentation of this facet of the work exists.
Close full details

Exhibitions

2013, She showed a bit of skirt, but settled for a kit-kat, Annet Gelink Gallery, The Bakery, Amsterdam, NL

Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
144 
of  1261
Manage cookies
Copyright © 2025 Annet Gelink Gallery
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences