In SECRET STRIKES the camera moves around the immobile figures and slowly approaches them in opened sequences shots, which favor the transition to space to another. Everything in any of the films received the same hierarchical treatment, similar photography and similar treatment to detail. Moves are slow and silent, as is the normality of the scene could be altered. Even is the human activities have been paralyzed, time has not stopped. And there is a plenty of evidence thereof, which I intensifies purposely in the films: a flickering light, a telephone ringing, an opening automatic door, the steam from a machine, etc.