Photomontages of the German and Russian avant-garde often employed the hand of the artist as a sign of a new time to come: a time, in which the artist-engineer would have a crucial role in building society and realizing utopian ideas. Photomontages of the German and Russian avant-garde often employed the hand of the artist as a sign of a new time to come: a time, in which the artist-engineer would have a crucial role in building society and realizing utopian ideas.

Here you see the hand of Antonis merge with the work by the Russian avant-garde artist Gustav Klutsis 'Uniform design' (1922).
The photo was taken by Antonis at the archive of the Costakis Collection at the State Museum of Contemporary Art in Thessaloniki.